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We are a studio built for animation lovers. We believe great animation ignites the imagination and strikes strong emotional chords with audiences. Our collaborative spirit and passion for storytelling are the driving forces behind everything we do.

With creativity and CG artistry at the heart of our animation and production, our artists work on a great variety of stories with the highest levels of stylized craft. We strive for excellence, taking pride and ownership in everything we do. By always approaching projects with an open mind, we embrace our clients’ creative ideas and work with them to ensure every story is truly unique.


We’re always looking for the best talent.

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At Mikros Animation, Diversity, Equity and Inclusion (DEI) is key in order to reflect the audiences we reach and countries  we operate in.  

Our artistry is as diverse as our artistic community. This diversity fosters creativity and inspires us to create stories that are reflective of society and promote inclusivity and equality for all.  

This is why we aim to recruit and retain the most talented people who share these values, whatever their disciplines and experiences, regardless of race, gender, sexual orientation, religion, ethnicity, national origin, or ability status. 


I've been working at Mikros Animation in Paris since the studio's very first feature film, Asterix - The Mansions of the Gods - A great challenge for the studio and the teams: the first 3D adaptation of the adventures of iconic characters. Then came Sherlock Gnomes, Asterix - The Secret of the Magic Potion and The Tiger's Apprentice. These are projects that allowed me to gain experience and evolve as a CG supervisor, with the renewed pleasure of participating in bringing new stories to life with exceptional directors.
Stephanie Aubriot - CG Supervisor
My best memory of The SpongeBob Movie: Sponge On The Run is when I saw the great work my team did being handed over to the other departments and how they managed to perfect what we did... Like the surfacing department subliming our textures, and then the lighting department applying the right atmosphere, all the sets taking shape - that puts sparkles in my eyes. And when everything gets in the hands of the compositing department, with the animation on top, it's amazing!
Vincent Duponchel - Texturing Supervisor on The SpongeBob Movie: Sponge on the Run


Adrianna Cohen
SVP, Global Head of Production
Adrianna Cohen
Ajesh Thazhakkandy
Supervisor Animation
Ajesh Thazhakkandy
Akhil Magotra
Head of Department, Lighting and Compositing
Akhil Magotra
Andrea Miloro
Andrea Miloro

How do I apply?

All open positions are published on our careers page and on social media. We have a team of passionate recruiters who recruit for animation and film studios at Technicolor.  

As the demand for talented artists continues to increase, we’ve made it easier for you to find the right opportunity, whether you’re a recent graduate or already established in the industry.